This seminar series features speakers who specialise in performance, the study of performance, or both. Intended to present some of the most advanced work taking place in the field of musical performance studies, the series has been designed to appeal to a wide audience ranging from university music departments and conservatoires to the worlds of professional and amateur performance. The series is organised by John Rink (Director, CMPCP) and Mine Doğantan Dack (Middlesex University) in collaboration with Paul Archbold(IMR).
Monday 12 March 2012
17:00 - 18.30
Chancellor's Hall, Senate House, University of London, Malet Street, London WC1
Beyond the radif: new forms of improvisational practice in Iranian music
Laudan Nooshin (City University London)
Chair: John Rink (Cambridge)
Monday 26 March 2012
17:00 - 18.30
Chancellor's Hall, Senate House, University of London, Malet Street, London WC1
Muses from the past: historical flute recordings and today's performance style
Abigail Dolan (IMR/Surrey)
Chair: t.b.c.
Monday 30 April 2012
17:00 - 18.30
Chancellor's Hall, Senate House, University of London, Malet Street, London WC1
The digital musical instrument as an epistemic tool
Thor Magnusson (Brighton)
Chair: Mine Dogantan Dack (Middlesex)
Monday 21 May 2012
17:00 - 18.30
Chancellor's Hall, Senate House, University of London, Malet Street, London WC1
'Liveness': a quality, a platform, an essential creative space in notated music
Kathryn Whitney (Royal Welsh College of Music and Drama)
Chair: t.b.c.
Monday 28 May 2012
17:00 - 18.30
Chancellor's Hall, Senate House, University of London, Malet Street, London WC1
Performance and creativity: harpsichord as cultural microcosm
Jane Chapman (Royal College of Music)
Chair: t.b.c.
Monday 11 June 2012
17:00 - 18.30
Chancellor's Hall, Senate House, University of London, Malet Street, London WC1
Do you know the land? Wolf's performing and composing of Mignon's lyric chain
Amanda Glauert (Royal College of Music)
Chair: t.b.c.
