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(Resource posted 16 May 2012)

 

The second issue of the electronic journal Transposition. Musique et sciences sociales (http://transposition-revue.org) is now available. The issue is devoted to the theme of musical seductions.

 

Présentation

 

COMITÉ DE RÉDACTION Séductions musicales

 

François DOMPIERRE Musique et séduction

 

Articles

 

Etienne JARDIN Sédu* dans le Théâtre-Italien

 

Theresa SCHMITZ L’opéra jeune public. Stratégies compositionnelles pour transformer l’enfant-spectateur en mélomane

 

Études de cas

 

Adrien DUBOIS On ne badine pas avec la danse : les structures d’encadrement d’une fête de saint patron au début du XVe siècle en Picardie

 

William TALLOTTE Captiver/séduire. Note sur la gestuelle des joueurs de hautbois nāgasvaram

 

Articles hors dossier

 

Malika COMBES La musique contemporaine et l’école Traductions

 

Karen PAINTER Un contrepoint contesté : appropriation « juive » et libération polyphonique

 

Entretiens

Brice GÉRARD Epistémologie(s) des sciences sociales (1). Entretien avec Sabine Trebinjac

 

Comptes-rendus de lecture

 

Igor CONTRERAS ZUBILLAGA Esteban Buch, Denys Riout, Philippe Roussin (dir.), Réévaluer l’art moderne et les avant-gardes Laëtitia DERBEZ Pascal Duhamel, Polyphonie parisienne et architecture au temps de l’art gothique (1140-1240) Etienne JARDIN Mélanie Traversier, Gouverner l’opéra. Une histoire politique de la musique à Naples, 1767-1815


(Resource posted 12.3.12)

Issue 18 of Ad Parnassum Journal is now available.

 

http://www.adparnassum.org

 

ARTICLES

 

Alistair Wightman

Religious Elements in Young Poland Music

 

Michael Murphy

The Actuality of Karłowicz’s Artistic Authenticity and Authority

 

Luca Sala

«What Has Already Been Will Return No More». «Bianca da Molena» by Mieczysław Karłowicz: A Test of Musical Theater

 

 

REVIEWS

 

James L. Zychowicz

James Garratt, Music, Culture and Social Reform in the Age of Wagner

 

Didier van Moere

European «Fin-de-siècle» and Polish Modernism: The Music of Mieczysław Karłowicz

 

Teresa Cascudo García-Villaraco

Stephen Downes, Music and Decadence in European Modernism: The Case of Central and Eastern Europe

 

Luca Sala

Jadwiga Paja-Stach, Muzyka polska od Paderewskiego do Pendereckiego

 

Jeremy Eskenazi

The Correspondence of Muzio Clementi / La Corrispondenza di Muzio Clementi

 

Benedict Taylor

David Damschroder, Harmony in Schubert

 

Ian Woodfield

Ian Taylor, Music in London and the Myth of Decline: From Haydn to the Philharmonic

 

Luigi Della Croce

Benedetta Saglietti, Beethoven, ritratti e immagini. Uno studio sull’iconografia

 

Matthew Pilcher

Tilman Skowroneck, Beethoven the Pianist

 

Floyd Grave

Philippe Sollers, Mysterious Mozart

 

David Chapman

Peter Holman, Life After Death: The Viola da Gamba in Britain from Purcell to Dolmetsch

 

 

OBITUARY

 

Andrzej Sitarz

Małgorzata Perkowska-Waszek

 

 

News - Contributors - Books Received - Abstracts - Index of Names



(Resource posted 23.2.12)

 

Music, Sound, and the Moving Image - New Issue Alert

 

Volume 5, Number 2 / Autumn 2011 of Music, Sound, and the Moving Image is now available on the liverpool.metapress.com website at http://liverpool.metapress.com/content/k42k34n26344/.

 

 

This issue contains:

 

Natural Sound in the Early Talkie Western<http://liverpool.metapress.com/content/7x131rq218400r14/>

p. 113

Luke Stadel

DOI: 10.3828/msmi.2011.6<http://liverpool.metapress.com/content/7x131rq218400r14/>

 

 

Throwing the Voice, Catching the Body: Opera and ventriloquism in Philip Glass/ Jean Cocteau's 'La Belle et la Bête'<http://liverpool.metapress.com/content/737n78k075121683/>

p. 137

Jelena Novak

DOI: 10.3828/msmi.2011.7<http://liverpool.metapress.com/content/737n78k075121683/>

 

 

 

Artless Singing<http://liverpool.metapress.com/content/70240l6211725q71/>

p. 157

Claudia Gorbman

DOI: 10.3828/msmi.2011.8<http://liverpool.metapress.com/content/70240l6211725q71/>

 

 

 

Book Reviews<http://liverpool.metapress.com/content/72171648m1461571/>

p. 173

DOI: 10.3828/msmi.2011.9<http://liverpool.metapress.com/content/72171648m1461571/>

 

 

 

Contributors to issue 5:2<http://liverpool.metapress.com/content/7243u58657026605/>

p. 203

DOI: 10.3828/msmi.2011.10<http://liverpool.metapress.com/content/7243u58657026605/>

 

INDEX TO VOLUME 5<http://liverpool.metapress.com/content/782j481886382414/>

p. 205

DOI: 10.3828/msmi.2011.11<http://liverpool.metapress.com/content/782j481886382414/>

 


(Resource posted 9.1.12)

 

Volume 11 of British Postgraduate Musicology has now been published  and is available, free-of-charge, to view online.

 

www.bpmonline.org.uk

 

Articles include:

 

Nirmali Fenn: The Icons of Vesalius: Image and Music Superimposition in Peter Maxwell Davies's Vesalii Icones<http://www.bpmonline.org.uk/bpm11/fenn_the_icons_of_vesalius.pdf>
Nikos Ordoulidis*: *The Greek Popular
Modes<http://www.bpmonline.org.uk/bpm11/ordoulidis_the_greek_popular_modes.pdf>
Melanie Stier: The Power of Gluck, and of his Interpreter: Pauline Viardot's Part in the British Gluck Revival<http://www.bpmonline.org.uk/bpm11/stier_the_power_of_gluck_and_his_interprter.pdf>
Jonathan Clinch: Beauty Springeth Out of Naught: Interpreting the Church Music of Herbert Howells<http://www.bpmonline.org.uk/bpm11/clinch_beauty_springeth_out_of_naught.pdf>
Lauren Redhead: Relational Aesthetics and the Western Canon of Increasingly Historical Works<http://www.bpmonline.org.uk/bpm11/redhead_relational_aesthetics_and_the_western_canon_of_increasingly_historical_works.pdf>

http://www.bpmonline.org.uk/bpm11/

 

British Postgraduate Musicology is an independent peer-reviewed musicological journal run by postgraduates for postgraduates. Under its title it aims to display the quality and diversity of scholarly studies produced primarily (but not exclusively) by postgraduate or recent postdoctoral students of music in the United Kingdom. Contributions are invited on any topic within the spheres of historical, analytical, critical or ethno – musicology with a short section for reviews, reports and notices particularly pertinent to postgraduate researchers.

 

We hope this is of interest to you.

Rachel Jeremiah-Foulds
Editor-in-Chief
*British Postgraduate Musicology*
www.bpmonline.org.uk
*editor@bpmonline.org.uk*, *bpmusicology@gmail.com*