CMPCP/IMR Seminars

A series of workshops and seminars promoted by the AHRC Research Centre for Musical Performance as Creative Practice (CMPCP) in association with the Institute for Musical Research (IMR).

Open to the public, free of charge; no booking required.

Autumn Term 2014

Date Time Location Details Speaker(s) Abstracts

13 October 2014

17:00-18:30 Chancellor's Hall, Senate House Off the Page c.1700/c.2014 Stevie Wishart (CMPCP Visiting Fellow)  
20 October 2014 17:00-18:30 Chancellor's Hall, Senate House Early Recordings and the De[con]struction of Brahmsian Performance Norms Anna Scott (Orpheus Institute)  

15 December 2014

17.00-18.30  Chancellor's Hall, Senate House Performing lost repertoires: seventeenth-century French keyboard music from the perspective of Mersenne's 1636 clavichord Terence Charlston (RCM) Download

Summer Term 2014

Date Time Location Details Speaker(s) Abstracts

12 May 2014

17:00 - 18.30 Senate House, Chancellor's Hall Christian Wolff discusses his music
Followed by a short concert

Christian Wolff 

Chair: Paul Archbold (IMR)

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19 May 2014

17:00 - 18.30 Senate House, Room 102 Articulation and legato in Beethoven's string writing Claire Holden (Cardiff University)

Chair: John Rink (University of Cambridge)

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27 May 2014

17:00 - 18.30 Senate House, Chancellor's Hall Method, influence and individuality: Bartók and early twentieth-century piano pedagogy László Stachó (The Liszt Academy of Music, Budapest and CMPCP Visiting Fellow, University of Cambridge)

Chair: John Rink (University of Cambridge)

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2 June 2014 17:00 - 18.30 Senate House, Chancellor's Hall Composer and performer: an experimental turn and its consequences Tom Armstrong  (University of Surrey) with Simon Desbruslais  (University of Oxford)

Chair: Mine Dogantan Dack (Middlesex University)

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16 June 2014 17:00 - 18.30 Senate House, Chancellor's Hall A short history of key noise at the piano: its technical and aesthetic implications Ian Pace (City University London)

Chair: John Rink (University of Cambridge)

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30 June 2014 17:00 - 18.30 Senate House, Chancellor's Hall Séverine Ballon
Lecture-recital: Rebecca Saunders 'Solitude'
Séverine Ballon

Chair: Paul Archbold (IMR)

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Spring Term 2014

Date Time Location Details Speaker(s) Abstracts

27 January 2014

17:00 - 18.30 Senate House, Room 102 Performing reality through Australian indigenous epistemologies of ceremonial law
 
Aaron Corn (Australian National  University) Chair: Tina K Ramnarine (RHUL)  

10 February 2014

17:00 - 18.30 Senate House, Room G37 The practice of creative performance Karen Wise, Mirjam James, John Rink (Cambridge)

Chair: John Rink (Cambridge)

 
17 February 2014 POSTPONED 17:00 - 18.30 Senate House, Chancellor's Hall The pianist as actor: embodying hybrid knowledge Paul Barker  (Central School of Speech and Drama) and Alban Coombs

Chair: Mine Dogantan Dack (Middlesex)

 
24 February 2014 17:00 - 18.30 Senate House, Chancellor's Hall Tempo relationships in eighteenth-century music - historically-informed creativity? John Butt (Glasgow)

Chair: Daniel Leech-Wilkinson (KCL)

 
24 March 2014 17:00 - 18.30 Senate House, Room 102 Completing Mozart fragments: on musicology and forgetting Tim Jones (RAM)

Chair:Paul Archbold (IMR)

 

Autumn Term 2013

Date Time Location Details Speaker(s) Abstracts

7 October 2013

17:00-18:30 Room 104, Senate House Hearing the continuum of sound Salomé Voegelin (London College of Communication)  
28 October 2013 POSTPONED 17:00-18:30 Room G34, Senate House The practice of creative performance Karen Wise, Mirjam James and John Rink (University of Cambridge)  

31 October 2013

18:00- 19:00    MV1, Maida Vale studios, Delaware Road, London W9 2LG Tristan Murail. The distinguished French Composer discusses his music Tristan Murail  
11 November 2013 14:00-16:00 Chancellor's Hall, Senate House

Lecture/demonstration: 'Schatten aus Wasser und Stein'

Christopher Redgate and Brian Ferneyhough  
9 December 2013 17:00-18:30 Chancellor's Hall, Senate House What might Schechner's Performance Studies and the emerging field of Performance Philosophy mean for Music? Laura Cull (University of Surrey)